![]() ![]() The children are under-educated and over-worked. Your older brother is the king of Albion, and the king is a bastard. After Fable II’s drawn out introduction, it feels a little alienating, but the speed with which you’re pulled through the story’s opening exposition doesn’t give you time to stop and think about this for too long. You’re a fully-formed adult royal this time, the son or daughter of Fable II’s now-deceased hero. You’re dropped straight in at the deep end from the moment the fantastic opening cut-scene ends. In both central story and core gameplay mechanics, this is a no-nonsense, to-the-point Fable which nevertheless manages to plug into your intellectual and emotional faculties in an arguably more pervasive sense than its predecessor. Following Fable II’s epic broad strokes, part three is a verymuch more streamlined, focused take on the franchise formula.
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